作者：趙　甜

　　“看動畫片的紀錄我們一代代長大了，讓時光在那一秒定格，片動記得最初快樂，畫給孩們讓心底流淌那首歌，禮動畫將美好未來勾勒……”，情書這首央視龍年春晚的紀錄歌(ge)曲(qu)《看動(dong)畫(hua)片(pian)的(de)我(wo)們(men)長(chang)(chang)大了》叩(kou)擊著無數人的(de)心弦。與小伙伴(ban)在(zai)電視機(ji)前(qian)的(de)片(pian)動(dong)守候、不絕于耳的(de)畫(hua)給孩們(men)動(dong)畫(hua)歌(ge)曲(qu)，曾是禮(li)動(dong)畫(hua)一代(dai)人記憶(yi)長(chang)(chang)河里(li)泛起(qi)的(de)一朵朵純真爛漫(man)的(de)浪花(hua)。

　　當年看動畫片的情書我們長大了，但童年時的紀錄夢想仍會延續，多年前由動畫片講給我們聽的片動人生道理，依然通過五彩斑斕的畫給孩們動畫影像完成一代又一代的接力。手握生花妙筆，禮動畫奔赴星辰大海，情書 2月中旬，由北京市廣播(bo)電(dian)視局(ju)指導、北京市廣播(bo)電(dian)視臺卡酷(ku)少兒衛(wei)視制(zhi)作的融媒紀錄片《動畫(hua)(hua)100》播(bo)出。該片共5集，每集38分鐘，以兒童視角、萌態表達(da)重(zhong)述(shu)中(zhong)國動畫(hua)(hua)自己的“取經路”，收獲良好口碑。《動畫(hua)(hua)100》這部老少皆宜的紀錄片，既是給(gei)當代孩子(zi)們(men)的珍貴禮物，也是給(gei)中(zhong)國動畫(hua)(hua)人的動人情書。

　　童真口吻，萌態表達，做“小孩子也能看懂”的紀錄片。《動畫100》共分為五集，分別為《金猴出世》《“神仙”戰隊》《國風掌門》《動畫奇緣》《奇跡森林》，第(di)一集(ji)以動(dong)(dong)畫(hua)(hua)技術(shu)為(wei)線(xian)索(suo)講述中(zhong)(zhong)國動(dong)(dong)畫(hua)(hua)從無到有的(de)故(gu)事，第(di)二、三集(ji)分(fen)別聚(ju)焦中(zhong)(zhong)國動(dong)(dong)畫(hua)(hua)人(ren)、中(zhong)(zhong)國動(dong)(dong)畫(hua)(hua)美學(xue)風格的(de)主題，第(di)四、五(wu)集(ji)分(fen)別呈現中(zhong)(zhong)外動(dong)(dong)畫(hua)(hua)交流的(de)故(gu)事、當代動(dong)(dong)畫(hua)(hua)發(fa)展(zhan)的(de)前景(jing)。百年歷史濃縮于(yu)五(wu)集(ji)紀錄(lu)片(pian)，如何讓小孩子也(ye)能看得(de)懂？兒(er)童視角是(shi)關鍵。歷史不是(shi)冷冰(bing)冰(bing)的(de)年份和(he)數(shu)字，而(er)是(shi)有趣(qu)有料有溫(wen)度的(de)人(ren)和(he)事，《動(dong)(dong)畫(hua)(hua)100》以兒(er)童本位為(wei)創(chuang)作(zuo)原則，將(jiang)百年動(dong)(dong)畫(hua)(hua)的(de)歷史“活化”處(chu)理，以童真口吻、萌態化表達親近少(shao)兒(er)觀眾。

　　第一(yi)集《金猴(hou)(hou)出世》在講述(shu)動(dong)(dong)畫(hua)影像制作(zuo)原理(li)時(shi)(shi)，以(yi)“讓孫悟空動(dong)(dong)起來的(de)(de)(de)(de)步驟”為切入(ru)點，可(ke)視化呈(cheng)現《鐵扇公主(zhu)》劇(ju)組讓書本(ben)上原本(ben)靜(jing)態的(de)(de)(de)(de)齊天大圣“動(dong)(dong)起來”的(de)(de)(de)(de)技術攻關過程。在呈(cheng)現歷(li)(li)(li)代孫悟空動(dong)(dong)畫(hua)形象變遷時(shi)(shi)，“丑猴(hou)(hou)子”被“美(mei)(mei)猴(hou)(hou)王”揪汗毛并(bing)嚎叫“中(zhong)(zhong)年人頭發(fa)是很寶貴的(de)(de)(de)(de)”的(de)(de)(de)(de)細節，靈(ling)動(dong)(dong)而有(you)(you)趣。《“神仙”戰(zhan)隊》《國(guo)(guo)風(feng)掌門(men)》分(fen)別(bie)以(yi)“近100年前(qian)美(mei)(mei)國(guo)(guo)頂級動(dong)(dong)畫(hua)公司(si)的(de)(de)(de)(de)特效主(zhu)管(guan)是中(zhong)(zhong)國(guo)(guo)人？急！在線等。”“讓水墨蝦演個動(dong)(dong)畫(hua)片怎么樣？”的(de)(de)(de)(de)懸念式(shi)提問為切入(ru)點，以(yi)寓教(jiao)于樂的(de)(de)(de)(de)方式(shi)向(xiang)少(shao)(shao)兒(er)觀眾講述(shu)中(zhong)(zhong)國(guo)(guo)動(dong)(dong)畫(hua)開拓者的(de)(de)(de)(de)生命歷(li)(li)(li)程、中(zhong)(zhong)國(guo)(guo)風(feng)格動(dong)(dong)畫(hua)的(de)(de)(de)(de)演進歷(li)(li)(li)史(shi)。《國(guo)(guo)風(feng)掌門(men)》在講述(shu)唐(tang)(tang)詩(shi)對中(zhong)(zhong)國(guo)(guo)動(dong)(dong)畫(hua)的(de)(de)(de)(de)文(wen)化滋養時(shi)(shi)，小(xiao)朋(peng)友(you)背(bei)唐(tang)(tang)詩(shi)崩(beng)潰大哭的(de)(de)(de)(de)鏡頭與“祖先吶，我未曾(ceng)謀(mou)面(mian)的(de)(de)(de)(de)祖先，你寫你的(de)(de)(de)(de)，給我留作(zuo)業干(gan)什么？”的(de)(de)(de)(de)旁白結(jie)合，隨后(hou)展現中(zhong)(zhong)國(guo)(guo)唐(tang)(tang)文(wen)化動(dong)(dong)畫(hua)的(de)(de)(de)(de)魅力，最終以(yi)親切口吻教(jiao)導小(xiao)朋(peng)友(you)們學好傳(chuan)統(tong)文(wen)化、樹立文(wen)化自信。《動(dong)(dong)畫(hua)100》以(yi)少(shao)(shao)兒(er)為本(ben)位，突出故事性、趣味性、知識性，以(yi)有(you)(you)意思且有(you)(you)意義的(de)(de)(de)(de)方式(shi)探索少(shao)(shao)兒(er)紀錄片的(de)(de)(de)(de)全新樣態。

　　以(yi)(yi)(yi)人(ren)(ren)(ren)(ren)(ren)寫史，以(yi)(yi)(yi)史致敬，見證中(zhong)(zhong)(zhong)國(guo)(guo)(guo)(guo)(guo)動(dong)(dong)(dong)(dong)(dong)畫(hua)(hua)(hua)(hua)(hua)(hua)(hua)人(ren)(ren)(ren)(ren)(ren)的(de)(de)(de)(de)(de)(de)拳(quan)拳(quan)赤子(zi)心。百(bai)年(nian)(nian)動(dong)(dong)(dong)(dong)(dong)畫(hua)(hua)(hua)(hua)(hua)(hua)(hua)史，萬眾(zhong)奮進(jin)路(lu)，五(wu)光十色(se)的(de)(de)(de)(de)(de)(de)動(dong)(dong)(dong)(dong)(dong)畫(hua)(hua)(hua)(hua)(hua)(hua)(hua)背(bei)后是無(wu)數(shu)中(zhong)(zhong)(zhong)國(guo)(guo)(guo)(guo)(guo)動(dong)(dong)(dong)(dong)(dong)畫(hua)(hua)(hua)(hua)(hua)(hua)(hua)人(ren)(ren)(ren)(ren)(ren)的(de)(de)(de)(de)(de)(de)堅守(shou)與創新。跳脫出(chu)“見事(shi)(shi)不見人(ren)(ren)(ren)(ren)(ren)”的(de)(de)(de)(de)(de)(de)“資料(liao)匯編冊”式的(de)(de)(de)(de)(de)(de)傳統創作(zuo)(zuo)框(kuang)架，以(yi)(yi)(yi)紀錄影像書(shu)寫中(zhong)(zhong)(zhong)國(guo)(guo)(guo)(guo)(guo)動(dong)(dong)(dong)(dong)(dong)畫(hua)(hua)(hua)(hua)(hua)(hua)(hua)鮮(xian)活靈(ling)動(dong)(dong)(dong)(dong)(dong)的(de)(de)(de)(de)(de)(de)“百(bai)年(nian)(nian)影像歷史書(shu)”，講述有(you)血有(you)肉、揮汗(han)灑淚的(de)(de)(de)(de)(de)(de)中(zhong)(zhong)(zhong)國(guo)(guo)(guo)(guo)(guo)動(dong)(dong)(dong)(dong)(dong)畫(hua)(hua)(hua)(hua)(hua)(hua)(hua)人(ren)(ren)(ren)(ren)(ren)的(de)(de)(de)(de)(de)(de)生命故(gu)事(shi)(shi)，折(zhe)射社會發(fa)展、國(guo)(guo)(guo)(guo)(guo)家復興的(de)(de)(de)(de)(de)(de)時(shi)代(dai)背(bei)景(jing)，才(cai)能使百(bai)年(nian)(nian)動(dong)(dong)(dong)(dong)(dong)畫(hua)(hua)(hua)(hua)(hua)(hua)(hua)史這(zhe)一(yi)(yi)宏(hong)大(da)主題的(de)(de)(de)(de)(de)(de)表達具有(you)可看性、記憶點。《“神仙”戰隊》擷取中(zhong)(zhong)(zhong)國(guo)(guo)(guo)(guo)(guo)動(dong)(dong)(dong)(dong)(dong)畫(hua)(hua)(hua)(hua)(hua)(hua)(hua)百(bai)年(nian)(nian)歷程(cheng)中(zhong)(zhong)(zhong)扛(kang)鼎人(ren)(ren)(ren)(ren)(ren)物(wu)和動(dong)(dong)(dong)(dong)(dong)畫(hua)(hua)(hua)(hua)(hua)(hua)(hua)藝術(shu)血肉相連的(de)(de)(de)(de)(de)(de)故(gu)事(shi)(shi)，以(yi)(yi)(yi)動(dong)(dong)(dong)(dong)(dong)畫(hua)(hua)(hua)(hua)(hua)(hua)(hua)人(ren)(ren)(ren)(ren)(ren)生命歷程(cheng)書(shu)寫動(dong)(dong)(dong)(dong)(dong)畫(hua)(hua)(hua)(hua)(hua)(hua)(hua)發(fa)展史，致敬動(dong)(dong)(dong)(dong)(dong)畫(hua)(hua)(hua)(hua)(hua)(hua)(hua)藝術(shu)家，賡續中(zhong)(zhong)(zhong)國(guo)(guo)(guo)(guo)(guo)動(dong)(dong)(dong)(dong)(dong)畫(hua)(hua)(hua)(hua)(hua)(hua)(hua)事(shi)(shi)業的(de)(de)(de)(de)(de)(de)共(gong)同理想。作(zuo)(zuo)為中(zhong)(zhong)(zhong)國(guo)(guo)(guo)(guo)(guo)動(dong)(dong)(dong)(dong)(dong)畫(hua)(hua)(hua)(hua)(hua)(hua)(hua)最早(zao)的(de)(de)(de)(de)(de)(de)“獨行俠”，才(cai)情(qing)滿懷的(de)(de)(de)(de)(de)(de)楊左匋從(cong)江南水(shui)鄉(xiang)走向迪士尼，將東方美(mei)學融(rong)入西(xi)方動(dong)(dong)(dong)(dong)(dong)畫(hua)(hua)(hua)(hua)(hua)(hua)(hua)創作(zuo)(zuo)，后遭(zao)遇大(da)罷(ba)工、晚(wan)年(nian)(nian)孤身離世的(de)(de)(de)(de)(de)(de)人(ren)(ren)(ren)(ren)(ren)生故(gu)事(shi)(shi)，如流星般(ban)璀璨(can)而令(ling)人(ren)(ren)(ren)(ren)(ren)唏噓。“萬氏兄弟(di)”四人(ren)(ren)(ren)(ren)(ren)作(zuo)(zuo)為“拓荒者”披荊斬棘，打破西(xi)方技(ji)(ji)術(shu)藩籬而創作(zuo)(zuo)出(chu)中(zhong)(zhong)(zhong)國(guo)(guo)(guo)(guo)(guo)第一(yi)(yi)部動(dong)(dong)(dong)(dong)(dong)畫(hua)(hua)(hua)(hua)(hua)(hua)(hua)片(pian)(pian)、長動(dong)(dong)(dong)(dong)(dong)畫(hua)(hua)(hua)(hua)(hua)(hua)(hua)片(pian)(pian)的(de)(de)(de)(de)(de)(de)故(gu)事(shi)(shi)，令(ling)人(ren)(ren)(ren)(ren)(ren)振奮。“中(zhong)(zhong)(zhong)國(guo)(guo)(guo)(guo)(guo)動(dong)(dong)(dong)(dong)(dong)畫(hua)(hua)(hua)(hua)(hua)(hua)(hua)的(de)(de)(de)(de)(de)(de)全能六(liu)邊形(xing)戰士”錢家駿(jun)，經歷了千千萬萬次顏料(liao)研制(zhi)失敗的(de)(de)(de)(de)(de)(de)打擊，最終攻克技(ji)(ji)術(shu)難(nan)關(guan)帶領中(zhong)(zhong)(zhong)國(guo)(guo)(guo)(guo)(guo)動(dong)(dong)(dong)(dong)(dong)畫(hua)(hua)(hua)(hua)(hua)(hua)(hua)進(jin)入彩色(se)時(shi)代(dai)的(de)(de)(de)(de)(de)(de)故(gu)事(shi)(shi)發(fa)人(ren)(ren)(ren)(ren)(ren)深省。與此同時(shi)，《奇跡森林》對(dui)當代(dai)動(dong)(dong)(dong)(dong)(dong)畫(hua)(hua)(hua)(hua)(hua)(hua)(hua)行業包括導演、動(dong)(dong)(dong)(dong)(dong)畫(hua)(hua)(hua)(hua)(hua)(hua)(hua)設計、造型設計、美(mei)術(shu)設計等無(wu)數(shu)幕后英雄的(de)(de)(de)(de)(de)(de)呈現，共(gong)同繪就出(chu)“中(zhong)(zhong)(zhong)國(guo)(guo)(guo)(guo)(guo)動(dong)(dong)(dong)(dong)(dong)畫(hua)(hua)(hua)(hua)(hua)(hua)(hua)人(ren)(ren)(ren)(ren)(ren)”的(de)(de)(de)(de)(de)(de)集(ji)體歷史面貌。動(dong)(dong)(dong)(dong)(dong)畫(hua)(hua)(hua)(hua)(hua)(hua)(hua)雖(sui)是“生命的(de)(de)(de)(de)(de)(de)幻(huan)象(xiang)”，但這(zhe)幻(huan)象(xiang)背(bei)后，始終是活生生的(de)(de)(de)(de)(de)(de)勞動(dong)(dong)(dong)(dong)(dong)者，中(zhong)(zhong)(zhong)國(guo)(guo)(guo)(guo)(guo)動(dong)(dong)(dong)(dong)(dong)畫(hua)(hua)(hua)(hua)(hua)(hua)(hua)人(ren)(ren)(ren)(ren)(ren)以(yi)(yi)(yi)拳(quan)拳(quan)赤子(zi)之心共(gong)同建立的(de)(de)(de)(de)(de)(de)動(dong)(dong)(dong)(dong)(dong)畫(hua)(hua)(hua)(hua)(hua)(hua)(hua)事(shi)(shi)業，值得(de)屏(ping)幕前(qian)的(de)(de)(de)(de)(de)(de)每(mei)一(yi)(yi)位觀眾(zhong)獻上最真(zhen)摯的(de)(de)(de)(de)(de)(de)禮贊(zan)。

　　中(zhong)(zhong)國(guo)(guo)(guo)動(dong)畫(hua)(hua)(hua)的(de)(de)文化(hua)自(zi)信，從娃(wa)娃(wa)抓(zhua)起。以中(zhong)(zhong)華優秀傳統(tong)文化(hua)感染人，在中(zhong)(zhong)國(guo)(guo)(guo)動(dong)畫(hua)(hua)(hua)“小觀眾們”的(de)(de)心(xin)中(zhong)(zhong)播(bo)撒文化(hua)自(zi)信的(de)(de)種(zhong)子，才能助益于文明薪火的(de)(de)傳承。《動(dong)畫(hua)(hua)(hua)100》從內(nei)外兩個層面(mian)拆解“中(zhong)(zhong)國(guo)(guo)(guo)風(feng)(feng)(feng)動(dong)畫(hua)(hua)(hua)”這一主題， 《國(guo)(guo)(guo)風(feng)(feng)(feng)掌門》注重呈現(xian)中(zhong)(zhong)國(guo)(guo)(guo)動(dong)畫(hua)(hua)(hua)的(de)(de)國(guo)(guo)(guo)風(feng)(feng)(feng)元(yuan)素，《動(dong)畫(hua)(hua)(hua)奇緣》則通過國(guo)(guo)(guo)際傳播(bo)來凸(tu)顯中(zhong)(zhong)國(guo)(guo)(guo)動(dong)畫(hua)(hua)(hua)與世界動(dong)畫(hua)(hua)(hua)的(de)(de)交融與共鳴(ming)。一方(fang)面(mian)，中(zhong)(zhong)國(guo)(guo)(guo)動(dong)畫(hua)(hua)(hua)以“水墨動(dong)畫(hua)(hua)(hua)”“留白藝術”呈現(xian)中(zhong)(zhong)式(shi)美學風(feng)(feng)(feng)格，從古(gu)建(jian)筑、京劇、皮(pi)影、剪(jian)紙(zhi)、古(gu)詩詞等傳統(tong)文化(hua)中(zhong)(zhong)汲取(qu)養分而創(chuang)造(zao)(zao)出(chu)的(de)(de)“中(zhong)(zhong)國(guo)(guo)(guo)制造(zao)(zao)”的(de)(de)動(dong)畫(hua)(hua)(hua)人物(wu)與景物(wu)形象，實現(xian)了中(zhong)(zhong)華優秀傳統(tong)文化(hua)的(de)(de)創(chuang)造(zao)(zao)性(xing)轉化(hua)和創(chuang)新性(xing)發展。另(ling)一方(fang)面(mian)，阿童(tong)木與孫悟空的(de)(de)“邂逅”、《丁丁歷(li)險記(ji)》的(de)(de)創(chuang)作、“熊貓+”系列動(dong)畫(hua)(hua)(hua)風(feng)(feng)(feng)靡全(quan)球的(de)(de)傳播(bo)態勢，背后隱(yin)含著(zhu)中(zhong)(zhong)外動(dong)畫(hua)(hua)(hua)的(de)(de)交流互動(dong)，更(geng)深藏(zang)著(zhu)跨越國(guo)(guo)(guo)界的(de)(de)動(dong)畫(hua)(hua)(hua)友誼。

　　中(zhong)國動(dong)畫(hua)百(bai)年(nian)華誕，幾經風(feng)雨，歷盡千帆，歸(gui)來仍(reng)是少年(nian)模樣。看動(dong)畫(hua)片的(de)孩(hai)子們終將長大，但中(zhong)國動(dong)畫(hua)每(mei)一幀(zhen)畫(hua)面背后所蘊含的(de)動(dong)畫(hua)人(ren)的(de)情(qing)(qing)懷永(yong)在。一部完整(zheng)的(de)作品，應該是由創作者(zhe)和觀(guan)眾共同完成的(de)， 《動(dong)畫(hua)100》讓中(zhong)國動(dong)畫(hua)的(de)童(tong)真與浪(lang)漫“飛入千萬家”，作為(wei)觀(guan)眾的(de)我們，盡情(qing)(qing)感(gan)受這份真誠(cheng)吧。（趙甜）